A New York Times reporter in Hong Kong, Austin Ramzy, has deleted his Twitter cover photo, which showed colonial powers gathering in the city’s harbor during the Second Opium War, after the historical image sparked anger online.
The New York Times has seemingly gone out of its way to convince its American readers of its wholehearted support for the protests against racism – and the legacy of colonialism, for that matter – that have engulfed the US. However, its reporter in Hong Kong picked a photo depicting one of the most brazen acts of colonialism for his social media header.
He promptly deleted it, though, after Carl Zha – a podcaster who focuses on China – revealed the context of the image. The black-and-white photo depicting ships in a harbor turned out to be one of a series of images snapped by British-Italian war photographer Felice Beato in 1860, as an Anglo-French armada prepared an attack on China during the final phase of the infamous Second Opium War.
Zha posted another of Beato’s iconic photos from the series as he tweeted about Ramzy’s curious choice of banner picture.
The conflict was a blatant aggression by the colonial powers against China, with the sole purpose of extorting commercial privileges and territorial concessions. One of the most heinous parts of the conflict was that London particularly sought to secure its right to the unrestricted export of opium to China – something that Beijing actively resisted until it was forced into submission. The British seized Hong Kong as a result of one of the Opium Wars.
The reasons for such an apparently insensitive choice of cover image on the reporter’s Twitter account remain unknown, as Ramzy has not commented on it publicly. As noted by some commenters on the platform, him picking that photo was equivalent to a foreign journalist in Russia using a picture of “Wehrmacht massed at the [Soviet] border,” or anyone putting a photo of the Auschwitz concentration camp during Nazi rule on their cover.
Other Twitter users highlighted the poor impression given by a US journalist using such a photo at a time when Washington supports the Hong Kong protests, and amid extremely strained US relations with Beijing.
Soon after the photo started attracting critical attention, Ramzy promptly changed his cover image to a more neutral picture of modern-day Hong Kong – without providing any insight into his sudden change of heart or the initial banner photo choice.
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